Advertise on HipHopGame.com
Weekly Newsletter

 
05/13 - French Montana Talks Excuse My French and The Value of Mentorship From Diddy & Rick Ross [Interview]
03/14 - Young Guru Previews Kendrick Lamar & Jay-Z Remix
03/13 - Video: Big Noyd - Light Up The Night
03/13 - Joe Budden vs Consequence
03/12 - Video: Big Boi feat. B.o.B. - Double Or Nothing
03/12 - Video: Big K.R.I.T. – R.E.M.
03/12 - Video: Tahiry feat. Uncle Murda & Styles P – Devil (Remix)
03/12 - Video: Kendrick Lamar World Tour Vlog Ep. 3

All the News
 
 Exclusive Interview
Hip Hop NewsHome
Hip Hop NewsNews
Audio DownloadsAudio
Audio DownloadsAudio Lounge
Underground Hip HopHipHopGame TV NEW!
Audio DownloadsVideos
NBA PlayoffsArtist Profiles / Interviews
Audio DownloadsReviews
Audio DownloadsDJs & Producers
Audio DownloadsMixtape Reviews
Audio DownloadsNew Mixtapes
Underground Hip HopRelease Dates
Underground Hip HopWeekly Column
Underground Hip HopSkyzoo's Journal
Underground Hip HopBlack Milk's Journal
Underground Hip HopRon Artest's Journal
Underground Hip HopRah Digga's Journal
Underground Hip HopJoell Ortiz's Journal
Underground Hip HopKillah Priest's Journal
Underground Hip HopPoison Pen 's Journal
Underground Hip HopAsk 9th Wonder
Underground Hip HopAsk Dr. No
Underground Hip HopCrazy Pics
 
Privacy Policy
Advertise on HipHopGame
Email Us
HHG on Myspace
Parfum Pas Cher
Bballvideos.com
Leptopril
Hydroxycut
Hairmax
Mangue Africaine
Acheter Alli
DON'T MISS TODAY:

Document sans titre Back to DJs & Producers Section
 Interview

What made you want to be a DJ?
Just my taste in music. I always had mad love for music. It kept me away from getting too caught up in the streets. I was obsessed with music. I was the type of cat the always had to have the new music first so when I hit high school, I knew I wanted to be in the music industry somehow, someway so I was writing rhymes and learning how to make beatz so that was the completion 2 the triangle was the djing aspect

What was the first song that grabbed you?
"Ladi Dadi" by Slick Rick and Doug E Fresh. That nigga Slick Rick was just killing it on the mic!

When did you make your first mixtape?

Like '94 it was in high school. I had my man selling them shits but even then I knew I had the crazy ear for music...I was killing it in school. Everyone always checked me to hear the new shit so when the tape thing started it was crazy.

How have your mixtapes grown from when you started?

One, a lot more people cop them...Nah but I always had a good fan base! I mean, formula-wise, it's still the same. I think just quality-wise, it's a lot better. I have more top-of-the-line equipment, plus I'm a lot more selective with what gets rocked on the CD's. If I don't like a song, I don't play it. I'm not like one of these other DJ's who will play anything just because they have a track by a well-known artist. I mean I deal with a lot of exclusives and rare jump-offs so I let them rock so people could enjoy them.

How do you know when you've made a good mixtape?

When five years later everyone's still playing it or they talking about it is when the CD itself is timeless...I mean a lot of my CD's last for years and years. Check your local bootlegger they have J-Love CD's from
98...some DJ's have a CD for like week and they think they have accomplished something just because they had an exclusive for two days in the streets before the next 20 DJ's do the same thing bunch of corns.

What's your favorite mixtape that you've done?

Hard to say I'm pretty much fan of the majority of my own shit but maybe the Rakim CD or Big Pun. It's hard though to name single one…I like the new Ol' Dirty CD's I did too.

You do a lot of "Best Of's," what made you want to do those?

It's like paying hommage to artists I really respect and also keeping their names mad hot in the streets. I won't just put one out for the sake of putting it I have to really feel their music and respect their work as an artist.

How difficult are those?
For me, I don't think it's too hard but I put in a lot of time and research in trying to find a lot of rare and unreleased demos and the best songs I like from them. Plus I definitely try and involve the artist if possible. I mean some cats are hard to get up with sometimes due to schedules and stuff but I try and make a classic jump-off so when you get my CD you like "damn son know his shit and do his thing and his 'Best Of' CD is the only one I ever wanna hear!"

What have you been up to as far as producing lately?

I have been doing crazy remixes and stuff like that. If I have an artist host my CD, I have him rock over one of my beats too...I mean a lot of people don't know but I had an album deal like in '97, '98. It was just on a bum-ass label (Old Freeze Records), but I recorded a whole compilation LP over there with numerous artists like Cormega, Large Professor, Brand Nubian, Kool G Rap, Inspectah Deck, Guru, Smif-n-Wessun, Tragedy, O.C…Just off the top real quick but the label just kept putting it on the backburner so I got fed up and was like 'fuck all this shit' and broke out. I took all the music and contracts, and even the two-inch reels and never looked back.

The beat you did for Cormega on "Fallen Soldiers" was dope, how was it working with him on his first album?

I did a few tracks for Cormega, like five so far that hit the streets.
Dramatic Entrance, Fallen Soldiers, Love In, Love Out, Endangered Species, and Sugar Ray and Hearns...the Fallen Soldiers jump-off was originally for my completion LP but when then didn't happen I told him use it for his album. Cormega is my nigga I always had mad love for him even before I knew him personally. I always felt his music and I felt like he didn't get his due. I was one cat who always believed in him talent-wise...I mean I basically I brought him to Landspeed when they didn't wanna put his LP out. They was straight fronting like "he can't sell, I'm not feeling his demos"...I basically talked Cormega into doing it just so his music could reach the public when the whole industry was fronting on him and even when they (Landspeed) was fronting and offering him very little money but I was telling him let his music speak for itself and everything else will fall into place. In time look what has happened. he is now in a very good position for an independent artist or any artist in general. I know he stay with money where as you see a lot of other artists fronting like they have mad money but be broke as fuck.

Who are you working with now?

A lot of different people but I m focusing on doing me right now because I get tired of being around artists who have 1000 dick riders around them all day but I have this CD I put together with all production by myself...With a bunch of songs cats did for me and also a handful of remixes I did. On top of which I have few on there rhyming too which is about shock a lot of people.

What would you rather be known for, your mixtapes or beats?

Maybe the beats. There are too many people doing mixtapes these days. It's disgusting...Its the wave of the internet DJ...Lil' herbs get a new song or two and all of a sudden they're mixtape DJ's. Its pathetic. Niggas know I been doing it since '96, '97 in the streets but I cant knock everyone. I've seen a lot of cats do their thing, but then again I seen mad cats who are straight trash.

What artists do you look at as being a "must" for your mixtapes?

M.O.P, Rakim, Nas, Mobb Deep, Wu-Tang, Cormega…I'm feeling Jadakiss a lot these days. I feel cats who come with that raw Hip Hop, not this bullshit a lot of people putting out. That's why its hard for me a lot of times…I have all the same exclusives some of these so called top mixtape niggas have but if the song is weak its weak. I like 50 Cent but he don't always do hot shit. Same with Nas, Jay-Z…any artists…so if I feel the song is banging, I'm gonna rock it because the song is banging not just because you're a name or you was trying to make a hit record.

What young artists have you broken?

A lot...Cormega definitely is one. Big Pun when he first came on the Scene, I was playing Pun shit first. Niggas at Loud used to hit me off, Beatnuts, Noreaga or CNN as a whole…Tragdey Khadafi, Ghostface as a solo artist. I definitely contributed to the 50 Cent rise-to-stardom. I was one of the few playing his songs in the beginning way before the G-Unit takeover, a lot of the Wu-Tang niggas and their offspring groups. Like I said you don't have to be a star to make it on my CD just do some hot shit!

How do you showcase unsigned heat and show love to those without the major connects?

If they shit is banging (to my taste that is) its not problem. I always show love but some cats forget they have to pay they dues. Just cause they say some slick shit don't mean they could make a hot song or that they made one hot song I'm gonna run and play everything they do now. It's like you have to play in the minors before you make it to the Major Leagues.

Should DJ's charge money to play artists?

Nah that shit is weak but then again niggas have to make money somehow.
I don't really do that shit cause if your shit is hot I'm gonna wanna play it.

What DJ's do you respect in the game?
Kid Capri.

What artists are next to blow?
Game is doing his thing J-Hood got some heat. I like my nigga Killa Sha, La the Darkman is crazy underrated. Meyhem, Raze, Sky Gray, Exquizite, even J-Love.

What's coming up for you?

Like I said putting this CD out to really showcase my production and the heat I have 2 offer the game as well as letting the game hearing me on the mic a little something and just keeping the street music on the streets not just the commercial artist rocking. Building up artists I'm working with and just everything I have to offer to the game.

How should artists go about submitting material to you?

www.J-Loveonline.com

Any last words?

Get ready for that J-Love "Better Your Life" CD coming real soon with 25 bangers all produced by J-Love with tons of your favorite artists on there. Keep check the website www.J-Loveonline.com a redesign is in the works…and keep checking for J-Love the last man standing doing that official shit kiko. Keep an eye for me this year I have big plans niggas.

Shout Outs:

730 for hollering at the kid and all my real niggas I fucks with you know who you are.



By Brian Kayser







Karmaloop





Advertise with us








Email Us - Advertise on HipHopGame - HHG on Myspace
.:copyright © 2012 HipHopGame.com - All Rights Reserved:.
 
hip hop news, audio, videos Message Board